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Right on Cue
Right on Cue
Falon Ballard

Emmy Harper, a successful screenwriter forced to step back into acting, is paired with her past nemesis, Grayson West, for a movie that could make or break them both. As they struggle with old grudges and undeniable chemistry, they must overcome their tension to salvage the production and their careers.

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Emmy Harper is no stranger to Hollywood, having penned some of the most popular movies of the past few years. But her latest project has hit a standstill—unable to find the perfect leading lady, Emmy’s been recruited to take on the role herself, dusting off acting skills she hasn’t used in over a decade. Things take a turn for the worse when a she’s left with the one costar she can’t trust: Grayson West. A blockbuster action hero known for his megawatt smile and impossible abs, Grayson is anyone’s dream of a romantic lead. Too bad Emmy still blames him for her disastrous first movie and the early end to her acting career. The friction between the two risks tanking the movie, and no one knows if it’s lingering awkwardness from their youth or unresolved sexual tension. But if they want to save the production—and their own careers—they need to get their acts together quickly, both on and off camera.

Right on Cue

Emmy Harper is no stranger to Hollywood, having penned some of the most popular movies of the past few years. But her latest project has hit a standstill—unable to find the perfect leading lady, Emmy’s been recruited to take on the role herself, dusting off acting skills she hasn’t used in over a decade.

Things take a turn for the worse when a she’s left with the one costar she can’t trust: Grayson West. A blockbuster action hero known for his megawatt smile and impossible abs, Grayson is anyone’s dream of a romantic lead. Too bad Emmy still blames him for her disastrous first movie and the early end to her acting career.

The friction between the two risks tanking the movie, and no one knows if it’s lingering awkwardness from their youth or unresolved sexual tension. But if they want to save the production—and their own careers—they need to get their acts together quickly, both on and off camera.

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